Baltimore Soundstage

  • 124 Market Place · Baltimore, MD 21202 · (410) 244-0057
    Box office hours: Wed- Sat 12-6pm and all show nights.


Reserved Seating and General Admission available


Glass Cloud, Issues, Like Moths to Flames, Secrets

Wed 02.20

Doors: 6:00 pm / Show: 7:00 pm

Tickets Available at the Door

This event is all ages

Box Office is open Wednesday-Saturday 12-6pm and All Show Nights, 410-244-0057. Fees include Maryland State's 10% Admissions and Amusement Tax

One would be hard-pressed to come up with a more fitting title for Silverstein's new album than Arrivals & Departures. After all, this Canadian band sold over 300,000 of their previous release, Discovering The Waterfront, on the strength of word-of-mouth and a nonstop touring schedule that saw them crisscrossing the globe. The full-throated rock passion that pervades all 11 songs on Arrivals & Departures emphatically depicts a band that has…well, arrived. Silverstein is about to depart the realm of grassroots phenomenon to enter the stratosphere of critical mass success.

It's been a long, but thrilling trip for this quintet, who came together in the Toronto suburb of Burlington, Ontario at the turn of the millennium. After putting out two of their own EPs, the band signed to Victory Records and released When Broken Is Easily Fixed, which raised eyebrows throughout North America as sales climbed well past 200,000. Showing no ill effects of any "sophomore jinx," Silverstein's follow-up Discovering The Waterfront did considerably better; now total Silverstein record sales are beyond a half-million. The band fueled that momentum by performing on a slew of major tours, from A Taste of Chaos and Warped in the States to the Give It A Name and Download festivals in England. They topped it all off with their first headlining tour of America—the sold-out Never Shave Again tour.

"We took three months off after we finished Never Shave Again in December to totally dedicate ourselves to writing new material," drummer Paul Koehler says. "We were very eager to be creative again; it was a very exciting progress that flowed very naturally, since this was our third attempt at writing a full-length CD. It's not as if we had a plan on what we wanted the new music to sound like. One of really big benefits of our band is that we let things develop organically."

That especially pertains to Arrivals & Departure's lyrical heart. "I ended a seven-year relationship right before I started on this record," singer Shane Told admits. "That's something you can't ignore when you're writing lyrics. This record is, by far, the most personal record I have ever made. Sometimes it's hard for me to go back and listen to some of the songs, because the feelings behind them are still unsettling to me. But at the same time, I wanted to convey a message of hope through the record, in that no matter what happens, you can still get through the tough times, get better and be happy.

"Even so, it was really hard to write lyrics that express my passionate feelings," he continues. "It scared me. I was letting people in on my personal life; you start wonder if you're just writing the songs for yourself. You wonder how your fans, who have been so supportive of you in the past, will think of what you're exposing to them. All these questions are constantly battling inside you."

Yet Told came to the conclusion that once you lay your heart out there, there's no turning back. "That's why this record is so personal to me," he states. "Even the album title; it's about being all over the world for the last four years and how that affected me. In some ways, it destroyed a part of my personal life. Had I not went down this road, I have no doubt in my mind that I probably would be married with kids, living a totally different existence. But my ultimate goal in life is to just be happy, and obviously you have to make some tough transitions in the short term to be happy in the long term."

"The intervals of life exist as finite periods that can only be enjoyed in the moment and don't last forever," Koehler adds. "Life doesn't last forever, and neither does the happiest moments of one's life. Our lives have been transformed into a constant 'coming and going' throughout the years, where it is hard to maintain positive relationships and to stay adjusted to one lifestyle. When we are on the road we miss home, our friends and family. At the same time, when are at home we miss the experience of traveling and playing shows, plus all of the friends and relationships we have made all over the world. From the constant shift in life, we've developed a positive embrace of any moment in each side of our life because you never know when that is going to end."

That sense of transition impacted the recording of Arrivals & Departures as well. Silverstein decided to use a new producer--Mark Trombino, who previously worked with Jimmy Eat World and Blink 182. "Before we went in the studio, I was the only one who had met him, and that was just one time," Koehler recalls. "We had to build a relationship quickly. It can be tricky doing that when you're suddenly working with someone in the same room for 10-12 hours a day. Fortunately, he's very talented and meticulous, which works well with our band, because we're all perfectionists, too."

It didn't take long before the band realized they were onto something special. "We were instantly excited about our progress right after we recorded the first song," Koehler says. "We tried to integrate different things into the album, and a lot of them turned out incredibly well. By the time the songs got to the final mix, they had developed into something so huge, it blew me away. We had spent a lot of time and effort on each individual song, which made the whole album sound a lot more cohesive in the end."

Now that the new album has "arrived", Silverstein is eager to "depart" on more globe-hopping tours. And they can't wait to play the new tunes to their rapidly growing fan base. "You definitely 'feel' the new music a lot more live," Told says. "By the time you've done your old songs over 100 times on stage, you're more into just performing to the audience. But the feelings behind the new songs are still fresh in my heart, so my singing will reflect that."

In a way, Arrivals & Departures illustrates an emotional growth for a band whose career is continually on the rise. "Success is reaching whatever new goals we set for ourselves, and that has been a constant progression," Koehler says. "We're always looking to attain new things by staying focused. We feel we're on a really good path because we're comfortable doing things that come natural to us."
Glass Cloud
Glass Cloud
After years of touring and performing around the world with various bands, vocalist Jerry Roush finally has a band to call his own. The former frontman for Sky Eats Airplane and Of Mice & Men has joined forces with 8-string guitarist Joshua Travis [The Tony Danza Tap Dance Extravaganza], bassist Travis Sykes and drummer Chad Hasty to create Glass Cloud.

The Hampton, VA-based band is currently in San Diego, CA recording their debut full-length album at Lambesis Studios, with Joshua Travis also serving as producer. Glass Cloud will release the full-length album in late Spring/early Summer 2012 through Equal Vision Records.

Musically, Glass Cloud offers a sense of controlled chaos fueled by Roush's deep, ferocious growls and distinct, gritty cleans. Travis' phenomenal guitarwork and ability to constantly surprise listeners stands out as he displays the perfect balance between energetic, driving intricacies and calmer progressions that carry a dark, eerie tone. Sykes and Hasty, graduates of Berklee College of Music in Boston, MA, rule the rhythm section contributing unique cadences and swinging, jazzy grooves interlaced with softer symphonic touches. Glass Cloud shines as the members deliver some of their heaviest and most technical compositions to date.

Excitement and enthusiasm simply radiates out of the band as they discuss working together in the studio and developing a sound that is all their own. "The collective musicianship and talent level in this band is unbelievable," explains Travis. "…and to top it off, the guys are all down-to-earth people too. Working on this record has been a lot of fun. We are trying to introduce something organic and ambient into heavy music. Not the typical breakdown heavy, but darker chords upon layers and layers."

Roush also boasts unabashedly about the remarkable caliber of musical proficiency within the band, and specifically about the creative connection between himself and Travis stating, "From the moment he became involved in this band, he was sending me fully finished tracks left and right, songs that were blowing my mind. Musically, Josh is a beast…the dude is a musical machine. We meshed so well, right from the start, making tracks that had no limits to them. I couldn't have asked for a better and more prolific guitarist to accompany me in this new musical endeavor. And with Josh being the producer of the debut Glass Cloud record, we know that we are making the exact album that we want to make."

"We have been working intensely in the studio, but it will definitely pay off when we introduce something new and fresh to the scene," Travis concludes. "I don't think I could be more excited about a project." Glass Cloud will spend 2012 on the road supporting their forthcoming album, with tour dates to be announced soon.
With the release of their critically acclaimed "Black Diamonds" EP last November, ISSUES has seen a tremendous amount of success thanks to their innovative sound and constant tour schedule - opening for acts like A Day To Remember, Of Mice & Men, Pierce The Veil, Memphis May Fire, Sleeping With Sirens, Crown The Empire, and a stint on the Vans Warped Tour. Their unique aesthetic is more refined than ever, and after a year of incredible touring, the band headed back to producer extraordinaire Kris Crummet (Sleeping With Sirens, "Black Diamonds" EP) to create more genre bending tracks, combining heavy rock and melodic choruses spirited by dueling vocalists Tyler Carter and Michael Bohn. All of this is complimented by the infectious unique scratching and synths brought by DJ Scout. Carter and Bohn sound better than ever, with Tyler delivering his signature, beautiful soulful soaring vocals and Michael crunching onto the track with his fierce hard hitting screams. ISSUES have taken the ground-work built on "Black Diamonds" and created a fully realized album that is guaranteed to set them up as major players in the scene for years to come. This debut full length 100% delivers on the promise shown through their debut ep. It's self-titled because it embodies everything that ISSUES is, that the fans have come to love.
Like Moths to Flames
Like Moths to Flames
"Emerging from Dayton, Ohio in 2010, Like Moths to Flames hit the ground running from their inception and haven't had the time to look back. The band came together after singer Chris Roetter (formerly of Agraceful and Emarosa) and bassist Aaron Evans (of TerraFirma) decided to collaborate after their respective bands had broken up. Not wasting any time, the two recruited guitarists Zach Huston and Eli Ford and drummer Lance Greenfield, and by the end of the year the band had signed to Rise Records and released its Sweet Talker EP. In 2011, the band made its full-length debut on Rise with When We Don't Exist, which found the fledgling metalcore outfit breaking onto the Billboard Heatseekers chart with its bludgeoning, breakdown-heavy sound." – AllMusicGuide
Hailing from sunny San Diego, CA, SECRETS has already made an impact as one of the most promising up and coming acts in the scene. Armed with irresistibly catchy choruses, soaring vocals, and mercilessly dynamic breakdowns, its no wonder the post-hardcore five-piece has seen such success since signing to Velocity/Rise Records in the Spring of 2011.

Velocity Records' Dave Shapiro says, "When I heard these songs, I knew San Diego had yet another band that would be at the forefront of their genre." Rise Records' founder Craig Ericson is equally pumped on the signing, explaining, "Dave showed me the band and I immediately knew these guys were keepers."

SECRETS released their debut full length The Ascent (Produced by Tom Denney) in January of 2012 to rave reviews. The record debuted at #3 on the Billboard Heatseekers Chart and became the first Velocity Records release to crack the Billboard Top 200, debuting at #185. SECRETS will be touring heavily this Spring in support of the release, hitting the road with Sleeping With Sirens in March and April and then jumping right into the "This World Is Ours" tour in April and May with heavy hitters Attack Attack! and Escape The Fate.

Check out SECRETS' signing announcement video here: