Events

Sunday, February 19, 2023

Boston Accent Winter Tour Matt Nathanson Stephen Kellogg

Doors | 7:00 pm // Show | 8:00 pm

Matt Nathanson

as a kid, i couldn’t get out of new england fast enough. i left massachusetts when i was 18 and would’ve moved to the moon if i could have. instead, i drove out to california with my buddy jeff and never looked back… built a support system, a family, a career. i left a place where i didn’t feel understood or connected and went about creating one where i did.
and you know what’s crazy…
the group of friends i made along the way… the ones i trust most, the ones who made me feel understood and connected… almost every one of those people are from massachusetts.
that’s what this record’s about.
it’s about being jealous of the cool kids who got to spend their summers on nantucket and martha’s vineyard. it’s about how the hint of a boston accent can make me drop my guard and feel connected to a complete stranger. it’s about how growing up listening to folk singers like james taylor, cat stevens, indigo girls & tracy chapman shaped the music i’ve always wanted to make.
and it’s about surrendering to the fact that the person i’ve become is built squarely on the back of the person i was.
___
Over his almost 30 year career, Matt Nathanson has evolved into one of the most applauded songwriters and engaging performers on the music scene today. His sixth studio album, Some Mad Hope, yielded his breakthrough multi-platinum hit “Come on Get Higher.” He followed up with Modern Love, a critically acclaimed album (PopMatters called it “the closest a pop album comes to perfection this year”) that garnered Nathanson two RIAA Gold Certified singles, “Faster” & “Run (featuring Sugarland)”. His 2013 release, Last of The Great Pretenders, debuted at #16 on the Billboard Top 200 while hitting #1 on iTunes’ Alternative Albums chart. His most recent album, Sings His Sad Heart spawned the hit single “Used To Be” which was a chart climber – hitting top 20 at Adult Top 40. Throughout his career, Nathanson has been known to cover songs and artists that inspire him. His Def Leppard approved cover album of their iconic Pyromania called Pyromattia shot to #1 on iTunes Alternative chart and Def Leppard’s Joe Elliott called the album “an amazing reinterpretation” with “heart & soul.” Last year he covered U2’s Achtung Baby as a tribute to his all time favorite album. His holiday LP Farewell December, includes “Blue Christmas” to “Grandma Got Run Over By a Reindeer” — as well as his somber take on Joni Mitchell’s “River.” Nathanson has performed on The Howard Stern Show, Ellen, Jimmy Kimmel Live!, Dancing with the Stars, Rachael Ray, and The CMA Awards to name a few.

Stephen Kellogg

I wish I’d known when I started out that the contents of an artist biography ends up being repeated many times in the years to come. It can be frustrating to be viewed through an outdated lens. But what’s to be done? The past, including old one-sheets, remains unshakable.

I know you’re a busy person and, chances are, if you’re reading this, you’re here for the updated Cliffs Notes. So I’ll tell you what I’m proud of having done over the last 20 years and you decide for yourself if any of the soundbites interest you.

I was born, raised and am currently residing in New England. I have four kids and married my high school sweetheart. I’ve written about them extensively on all my records. I also put out a book in 2020 called “Objects In The Mirror: Thoughts on a Perfect Life from an Imperfect Person.” It’s a collection of essays about what I’ve found to be the most important aspects of a life well-lived. For better or worse, my live show has morphed into one with a fair amount of comedy baked into the storytelling. I write what I believe to be true and I try to have a sense of humor about the stuff that hurts. My newest record is called Keep It Up, Kid and it comes out December 2, 2022. Side B is a suite of 5 interconnected songs that explore the journey from youth to middle-age. Side A is a note of solidarity to anyone looking for hope in hopeless situations. We are all alone in the world, but it’s nice to feel as though we are not.

There have been some flattering quotes over the years, but the largest publication to offer up a humdinger was Rolling Stone, who in 2019, said I was like, “John Prine fronting the Heartbreakers.” My grandfather taught me not to believe my own propaganda, but I still work hard to fulfill the promise of such heady praise. 

In 2013, I delivered a Tedx Talk on job satisfaction and that has led to speaking engagements for some amazing organizations. I’ve also had the honor of performing at a number of children’s hospitals as well as for the U.S military, who gave me an “Armed Forces Entertainer of the Year” award. Those experiences have been enriching and I hope I’ve used my talents for good there. I’ve had some great adventures co-writing too and one of the singles I co-wrote, “Got Soul,” was the title track for Robert Randolph’s Grammy Nominated album of the same title. Although I have, on occasion, cracked the billboard charts, it has been a minute since all that went down, so I’ll just say that there is little that means more to me than the people who show up year after year, record after record. Take care of the art and the art will take care of you.

In closing, I guess what I’m most proud of having done, the thing I’d want people to know about the first two decades of my career, is that I survived with my soul intact. I’ve played more than 2200 concerts, traveled Europe supporting Gregory Alan Isakov and Josh Ritter, sang duets with Adam Duritz and Rosanne Cash. I’ve sold out the 9:30 club, and performed at the Beacon Theater. I’ve made music in spite of the challenges and managed to build a life that resembles that of my listeners in all the ways that matter. I have not accomplished all that I intended for myself, but that’s why I’m playing another hand at the table. That’s the point of Keep It Up, Kid. Thanks for checking out my stuff.

– Stephen Kellogg, April 2022