Events

Friday, November 22, 2019

SiriusXM Presents The Octane Accelerator Tour featuring Ice Nine Kills Fit For A King, Light The Torch, Awake At Last

Doors | 6:00 pm // Show | 6:00 pm

Ice Nine Kills

ICE NINE KILLS In a sea of subculture sound-alikes and would-be social media stars, ICE NINE KILLS stand tall as passionate artistic trailblazers. For over a decade, ICE NINE KILLS has built a thrilling new world for their band and their growing legion of fans. “INK” summons the most captivating elements of metal, punk and melody with theatricality, cinematic obsession, and literary fascination, creating a thrilling vision.
The Boston-based trio of Spencer Charnas, Justin DeBlieck, and Justin Morrow, (together with their onstage cohorts), conjured INK from the ground up, with the artistic confidence and perseverance of their favorite DIY punks and filmmakers.

After a decade of studio adventures and live showmanship, ICE NINE KILLS joins the ranks of likeminded hard rock acts like Avenged Sevenfold, Slipknot, and Marilyn Manson, in terms of the combination of music and lifestyle and cult-band reverence.

Songs like “Communion of the Cursed,” “Me, Myself & Hyde,” “Hell in the Hallways,” “The Fastest Way to a Girl’s Heart is Through Her Ribcage,” and “Bloodbath & Beyond” have amassed more than 30 million views on YouTube alone, building a story with sales, streams, and downloads that’s evident by the massive sing-a-longs at festivals, on Vans Warped Tour, and when the band headlines theaters and clubs.

Following a fourth album that debuted in the Top 5 of Billboard’s Hard Rock Albums chart, and tours with bands like Motionless In White and Every Time I Die, ICE NINE KILLS spent much of 2018 in the studio with producer Drew Fulk (Bullet For My Valentine, As I Lay Dying) crafting their most diverse and impressive offering.

The Silver Scream, the fifth record from ICE NINE KILLS, is a definitive achievement. A conceptually driven post-metalcore masterpiece with the catchiness and spirit of pop-punk and the fist-pumping anthem power of arena rock, The Silver Scream is 13 songs of horror movie inspired madness. Just as their previous album, Every Trick in the Book, drew from classic literary works (including Animal Farm, Dracula, and Romeo and Juliet), each song on The Silver Scream is a tribute to a different iconic cinema classic, the types of movies that inspire the same sort of fandom as music.

The Silver Scream stars a famous movie werewolf, a great white shark, and more than one axe-wielding movie murderer. “The American Nightmare” is about Freddy Krueger, the dreamscape stalker of the A Nightmare on Elm Street series; “Thank God It’s Friday” centers on Jason Vorhees; Michael Myers, Leatherface, Pennywise, and Jigsaw get their due as well. There’s a song for the dark avenger from The Crow.

Charnas recorded some of the album’s vocals at famous horror locations, like the houses used in the original Halloween and A Nightmare on Elm Street. Sam Kubrick, grandson of Stanley Kubrick, guests on The Shining-inspired “Enjoy Your Slay.” There’s an appearance from Stranger Things’ Chelsea Talmadge and guests from INK’s punk flavored past as well, including members of Finch, Fenix TX, Mest, and Less Than Jake, who lend their horns to the Stephen King inspired “IT is the End.”

As a young kid, Charnas found himself drawn to the horror aisle of his local video store, located inside the supermarket where his mom did her shopping. “I’d gaze upon the box covers of movies like Sleepaway Camp and Silent Night, Deadly Night,” he recalls. “I became obsessed with horror. My parents were very cool about it all. Around Halloween, I would walk around the neighborhood as Michael Myers. Perhaps it was the idea that if I was the monster then the monster couldn’t get me?”

The obsession continued into his teenage years, when he and his cousins would rent movies from Blockbuster. Wes Craven’s horror referencing Scream made a huge impression. “It was the first time I ever saw a movie in the theater where the characters were talking about Jason and Michael. I immediately fell in love with it.”

Even in the group’s earliest incarnation as a high-school pop punk band, ICE NINE KILLS dabbled in horror related imagery, from song titles to merchandise designs. Last Chance to Make Amends (2006) and Safe is Just a Shadow (2010) built a name for the band, but it was The Predator Becomes the Prey (2014) and Every Trick in the Book (2015) that really cemented ICE NINE KILL’s reputation. The Silver Scream is the natural culmination of everything that’s come before, a full, immersive catharsis.

ICE NINE KILLS is at the forefront of the natural crosspollination of subcultures. “Heavy music and horror are both escapes from our mundane struggles,” Charnas points out. “Horror gets a bad rap with some people who think it’s sick and depraved. But those who love it tend to be the people who get it, who realize you aren’t supposed to see Friday the 13th and then go kill a bunch of people at a summer camp. Aggressive music and horror movies are outlets for your demons not a blueprint for your actions. It’s an escape from reality. You could be having the worst day in the world, with your job or your significant other, and you can go and put on a great metal record or horror movie and forget about all of your problems.”

Fit for a King

Light The Torch

Time fortifies the bonds between us. Since emerging in 2018, Light The Torch have grown stronger in lockstep together as a band and as friends. Through this growth, the Los Angeles, CA trio—Howard Jones [vocals], Francesco Artusato [guitar], and Ryan Wombacher [bass]—only enhanced every aspect of their signature sound. Upheld by head-spinning seven-string virtuosity, yet also anchored to skyscraping melodies, the group crafted twelve no-nonsense and no-holds-barred metallic anthems on their 2021 second full-length album, You Will Be The Death of Me [Nuclear Blast].

 “The past few years have helped me to become much more personal in my writing,” explains Howard. “Even though I’m kind of a loner, this band became real family. My experiences with Ryan and Fran inside and outside of the band truly bonded us. I think it shows in this album, it truly represents who we are as a group.”

“Every second on this record was thought-out,” adds Fran. “Howard’s performance gives me chills, because it feels so alive. There’s so much emotion in it. I know the guy very well at this point, and our friendship is a big part of Light The Torch.”

That friendship cemented over the course of the past three years. The group shot out of the gate as a contender on their full-length debut, Revival. It bowed at #4 on the Billboard US Independent Albums Chart and at #10 on the Hard Rock Albums Chart in addition to receiving acclaim from Revolver, Outburn, and many more. “Calm Before the Storm” racked up a staggering 14.5 million Spotify streams, while “The Safety of Disbelief” remains one of SiriusXM Octane’s all-time most requested songs. They also crisscrossed North America and Europe on tour with the likes of Trivium, Avatar, In Flames, Ice Nine Kills, Killswitch Engage and August Burns Red to name a few.

In late 2019, an idea for the title track “Death of Me” kickstarted the creative process. The guys returned to Sparrow Sound in Glendale, CA to once again work with the production team of Josh Gilbert and Joseph McQueen [Bullet for My Valentine, As I Lay Dying, Suicide Silence].

This time around, they also welcomed Whitechapel’s Alex Rudinger on drums. “He’s incredible, says Fran. “He was exactly what we needed.

Now, they kick down the door for You Will Be The Death of Me with the single “Wilting In The Light.” Howard’s instantly recognizable vocals soar over a sweeping riff and rolling beat before culminating on a massive luminous hook, “Over and over again we struggle.  We’re wilting in the light, and we stumble in the dark.

“It has a different vibe and a very interesting riff,” observes Howard. “I love it when listeners can take what they want from a song. This was a special one for us.”

“More Than Dreaming” opens up the record with gut-punching guitar and another knockout hook. Elsewhere, airy keys wrap around chugging distortion on the title track “Death Of Me.” Regarding the latter, the frontman goes on, “Most people have some source of grief in their lives. It’s relatable, and it was appropriate for the song.”

After the melodic melancholia of “Come Back To The Quicksand,” Light The Torch recharge the 1987 Terence Trent D’Arby classic “Sign Your Name” as the record’s climax. Shimmering keys bleed into an overpowering verse before it snaps into the immortal chorus beefed up with thick distortion.

 “Howard stayed at my house with me and my wife for the entire recording of the album,” recalls Fran. “I like to cook, and one night during the first week of pre-production I made everyone dinner.  A compilation with ‘Sign Your Name’ started playing, and I thought, ‘I can do a version that would sound awesome!’ Howard knew and loved the song too. For as crazy as it sounded, it worked so well.”

In the end, the bond between Light The Torch burns brighter than ever in the music as they deliver a definitive statement with You Will Be The Death Of Me.

“We wanted to make a fully listenable and fun album that doesn’t let up,” Howard leaves off. “At the same time, we’re showing some heart, passion, and connection. It’s what we’ve always intended to do with this band.”

Make Them Suffer

Awake At Last