All Good Presents The Infamous Stringdusters Kitchen Dwellers
The Infamous Stringdusters
After finally being in the same room for the first time in six months, the Infamous Stringdusters seized the moment for their revealing new album, Toward the Fray. Inspired by self-reflection and a strong sense of solidarity, the project documents the Grammy Award-winning group’s remarkable growth as instrumentalists as well as songwriters. Released on their own label, Americana Vibes, the collection also firmly establishes the band’s stature on the modern acoustic music landscape, where they’ve built a solid and enduring fan base among traditional and progressive audiences alike.
The five band members – Travis Book (bass), Andy Falco (guitar), Jeremy Garrett (fiddle), Andy Hall (Dobro), and Chris Pandolfi (banjo) — wrote the songs on Toward the Fray separately, sending simple phone demos to each other during lockdown. Fueled by friendship and a mastery of their instruments, the 13-track collection feels live, but not necessarily loose, due to a synergy that’s developed over the last 16 years of playing sheds, clubs, and festival stages across the country.
“With all of our records, we always go into the studio to capture the live energy of our band, so I feel like we were all comfortable just plugging right in and getting started,” Pandolfi says. “All five of us have arrived at this point in our careers where we all produce – we produce our own music and some of us produce for others. We knew we could get it done with all that collective intel and know-how. One of the awesome things about being in this band is that everybody is always working on their instrumental game. When we show up for a new tour or a new album, we all get a chance to dig even a little deeper — and you can hear that part of it. That’s always been part of our mantra.”
Toward the Fray begins with a somber perspective in songs like “Hard Line” and “I’m Not Alone,” even as the arrangements tap into the ambitious, enthusiastic musicianship the band is known for. The point of view in “I Didn’t Know” feels especially personal for Garrett.
“For me, it was a heavy time, with the pandemic slowing everything down, but what affected me the most was the death of George Floyd,” he says. “I can’t say what an impact that had on me personally, being an average American white guy going along through life, not necessarily fully understanding what the other side of the fence was. I took a deep look at myself because of that story. I got inside of my head and wanted to write about it. Several songs on this record come from that vantage point, trying to put more thought into, how can we bridge this gap that has happened? ‘I Didn’t Know’ is about that. I didn’t know we had to pay attention to these things. It was a wake-up call for me.”
Continuing the conversation, Book adds, “All five of us took that opportunity for our consciousness to evolve, and we took the responsibility seriously. That’s what I hear when I listen to this record. The songs are very honest and real, but what other option do we have? There’s a responsibility as citizens of this country and as citizens of earth, for all the reasons – ecological and cultural — to lean in and to turn toward the battle. Everybody brought a lot of conviction with their tunes. Everybody came with a clear idea of what their statement was going to be. I think because of the situation we were all in, a harmonious and collective sound came out of that.”
The title track of Toward the Fray finds the narrator making a decision to get involved, rather than just comment on the sidelines. It’s a powerful image – and one that required an attention-grabbing visual. Of the cover art depicting a young girl standing firm among the wreckage, Hall says, “When we decided on the album title, I imagined the fray being a city that was on fire or in turmoil. And in juxtaposition of all that destruction happening, there’s a child. That’s what was happening in the world at the time. There were little kids seeing these protests and all this strife. No one is safe from what’s going on, as far as experiencing some level of it. One thing that I like about the artwork is that the child has a strength to her, especially the way she’s looking right into the camera. She’s got to wear a gas mask and she looks ready to enter into the fray, like, ‘All right, I’ve got to face this.’”
Toward the Fray is also the first Infamous Stringdusters album with drums, with the band deciding that the songs were calling out for it. The band explores other creative directions, too, ranging from the persistent march of “Revolution,” to the comforts of home in “Pearl of Carolina.” Meanwhile, “Spirits Wild” will be relatable to those who can’t help but answer the call of the road. “When Will I Ride Again,” a sequel to “Tragic Life” from their first album, is cinematic but also emblematic of their own questions about picking up where they left off. “How Do You Know” and “Through the Floor” are among the band’s most vulnerable compositions in a catalog of exceptional material.
“To me, the theme of Toward the Fray is about dealing with your problems head on, rather than running away from them,” Falco says. “One of the things that I’m really proud of is that this record is true to all of us. It’s a genuine record because it really is about everything that we were all going through. We’re talking about the pandemic and all of the chaos, but we’re talking about love and other things, too. We were able to reflect and dive deep and look inward during all of this. I hope people who hear these songs will feel like they’re not alone. That’s what we always hope that people can relate to in our songs — that we’re all in it together.”
Kitchen Dwellers twist bluegrass, folk, and rock through a kaleidoscope of homegrown stories, rich mythology, American west wanderlust, and psychedelic hues. The Montana quartet—Shawn Swain [Mandolin], Torrin Daniels [banjo], Joe Funk [upright bass], and Max Davies [acoustic guitar]—have captivated audiences at hallowed venues such as Red Rocks Amphitheatre and performed alongside everyone from Railroad Earth and Twiddle to The Infamous String Dusters in addition to playing festivals such as Northwest String Summit, WinterWonderGrass, and more. They’ve released two critically acclaimed albums—Ghost In The Bottle  and Muir Maid —and a live record, Live from the Wilma . In the middle of the Global Pandemic, they broke up 2020 with an EP of Pink Floyd covers entitled Reheated, Vol. 2. It was heralded by a two-night livestream concert, Live From The Cabin, beamed out to audiences from the Bridger Mountains. Additionally, they appeared at the Live From Out There virtual festival and even took over a drive-in movie theater for an in-person gig in between regular writing sessions together throughout the year. After amassing 5 million-plus streams, selling out shows, and receiving acclaim from Huffington Post, Relix, American Songwriter, and more, the group brings audiences back to Big Sky Country on their third full-length album, Wise River, working with Cory Wong of Vulfpeck as producer.